EBOOKS AND THE COLLECTING SPIRIT

As more and more of us employ tablets and single-purpose devices to read our books, journals, and newspapers, the question inevitably arises, “What is the future of the printed word?” Frankly, we’re in the midst of a revolution that doesn’t have a clear ending, but one thing is certain…many printed volumes continue to retain both significant collectible value as well as treasured places on our personal bookshelves.

 

I’m no Luddite. I created this website on SquareSpace (and that is a plug…they’re very good). I have a Facebook account (Wonderland Books—Old & Rare Children’s Books). I send emails.  I wasn’t born into the digital age, but I’ve adopted a good chunk of it, partly because I enjoy it and partly because I have had to. But the advent of the internet and…more recently…eBooks have changed the landscape of book collecting, leveling the playing field for titles once thought rare and changing the collector/dealer relationship forever.

 

My trajectory from collector to dealer is not unique. Back in the early 1980’s when my own children were very young, I was a library administrator serving young adult patrons when I came across a new crop of pop-up books. Purchasing several titles for my son and daughter, I was astonished to see how quickly they reduced them to scrap paper and began to wonder about the history of pop-up and movable books and whether any earlier examples survived the loving hands of children. Several decades later, I find myself with a sizable and much-loved collection of 19th and early 20th century pop-up, movable and novelty books and an inventory of more than 12,000 standard rare and out-of-print children’s books. How did that happen?!?

 

Part of it, I’m certain, is the collector mentality, an inborn trait to acquire and put items in order. People, I’m convinced, are either born with it or not, take delight in it or view it as an eccentricity or worse. Regardless, the fields of both collecting and dealing in rare books have changed so radically in the past thirty-five years that many pleasures have been lost. One of the real treats of pre-internet dealing in old and rare children’s books was the opportunity to meet collectors face-to-face and share enthusiasms and tales of deals made and lost.  While efficient, sites such as eBay, A.B.E. and others are faceless ways to conduct business with little opportunity to get to know one’s customers and vice versa.

 

But books at least are objects…items you can line up on a shelf and share with friends, physical realities you can dust and read and treasure. Not so with eBooks and while I do understand their appeal for the weary traveller who can tote along seventy books on their iPad or Kindle, I cannot foresee a collecting future for electronic books.  On the most basic level, they cannot be traded or sold (once acquired). Even limited sharing within a family was only recently added to the features sanctioned by Apple’s iBooks. One could accumulate an outstanding library of modern first editions comprising thousands of volumes, but what possible joy could that elicit? How to present one’s achievement; hold a Kindle up in the air?

 

eBooks appear to occupy the same place among serious collectors as ex-library editions. Want to read the latest bestseller? Purchase an eBook. Acquire an older reference title with little commercial value? An eBook sounds perfect. Locate an elusive and incredibly expensive volume that fills a space in your collection that might remain empty for decades? Start searching an eBooks database.

 

While there’s no doubt that electronic publishing will disrupt the traditional book industry (and already has), its immediate impact on the collector community is negligible…and perhaps even positive. I’ve noticed an attitudinal change among younger collectors that can best be described as “Books are the New Vinyl.” As cassette tapes and then CD’s and mp3’s displaced traditional records, a growing number of young collectors found a romantic and sonic appeal in vinyl recordings. The same shift seems to be occurring with the printed page. A generation that grew up on videogames and cable TV and iPods has begun to discover the lure of hardcovers and turning real pages.  Viva la revolucion!!

 

But I’m probably blogging to the choir. I suspect that everyone reading this already knows the pleasure of a real book in your hands, of the remarkable diversity of subject matter and format available in book collecting, and the satisfaction of compiling a small slice of all the wonder the world has to offer, neatly lined up (though sometimes not) in rows on a shelf.  It is one of the satisfactions I reap as both a collector of pop-ups and as a book dealer offering the Wonderland100 catalog, helping others who share a similar passion discover new avenues for collecting and/or completing collections long amassed.  

 

And until a radically new technology emerges, I can’t imagine eBooks replacing pop-ups.

 

Wonderland Books Spring Book Fair 2016 Schedule

Washington (DC) Antiquarian Book Fair...March 4 & 5, 2016...Holiday Inn Rosslyn at Key Bridge
 

Florida Antiquarian Book Fair...March 11-13, 2016...St. Petersburg Coliseum
 

NOBS Akron Antiquarian Book & Paper Fair...March 25 & 26...John S. Knight Center, Akron, OH

 

Hope you meet you there!

Collecting Newbery & Caldecott Award-Winners

One of the first questions I field when lecturing about children’s book collecting is “Where do I start? How do I know what to collect?” It’s a legitimate concern for anyone starting out. The range of children’s books is so wide, the options are so diverse, that it’s hard to know where to begin. Series books? Pop-ups and movables? A particular author? Illustrator? There are no wrong answers, of course (except, perhaps, for book club editions), but focusing your buying helps both your budget and bolsters your expertise.

 

For those looking for high-points…books of exceptional quality that will likely retain both their literary and monetary value…it would be difficult to recommend anything better than the annual Newbery and Caldecott Award-winners. For the past nine years, I’ve been giving first edition, first printing copies of each year’s Medal books to my grandchildren at holiday time.  Not only has it created a library of top-notch reading material for them, sure to be enjoyed for years to come, but…if they treat them gently…will represent a valuable investment by the time they reach adulthood.

 

Since 1922 (for the Newbery) and 1938 (for the Caldecott), the American Library Association has selected and awarded the best-written (Newbery) and illustrated (Caldecott) book for children published the preceding year. In addition, a few notable Honor Books are annually recognized in each category.  A group of experienced librarians are appointed each year to make the selections and…though there are often nay-sayers and controversies…they’ve done a remarkably good job overall.

 

Of the hundreds of thousands of new kid’s books published each and every year, how many are really worthy of acquisition and will pass the test of time? Once you winnow out the vampire and zombie titles, the throw-aways based on television cartoons or internet games, the cookie-cutter series books, and those of limited artistic or literary merit, you’re left with a solid couple of hundred books of quality. The Award committees serve as the library, parent, and children’s communities best friend and confidante, reading and evaluating each title and coming up with a small handful of the very best of the very best.

 

Do they make mistakes? Of course! Madeline and Charlotte’s Web were named Honor Books rather than receiving the Caldecott  and Newbery Medal and Curious George is completely missing. Many Honor Books are more deserving (or at least have weathered better) than that year’s Medal-recipient. And yet…taken as a whole…these relatively few titles represent a remarkably accurate history of children’s publishing through the 20th century, reflecting work by many of America’s most accomplished illustrators and authors.

 

The gold (Award) and silver (Honor) stickers that festoon the front covers of the Medal books have raised some questions among collectors. Does a book that displays a sticker constitute a true first edition? To my mind, at least in many instances, the answer is unquestionably “Yes.” The stickers are provided to libraries and bookstores after the award announcements are made and can be applied at that time to copies of the books on their shelves. It’s savvy merchandising! If a true first edition happens to be in their care, it gets a sticker. Of course, if a later printing is there too, it also receives one. The opposite is true as well: not every copy of an Award book lacking a sticker is a true first edition. The proof is in the book, not in the sticker. Still, there are some collectors who prefer a true first edition without a Medal sticker; the earliest state of the book available. Each collector determines where to draw the line.

 

There are several resources available to learn more about the Award books and additional avenues for collectors. The American Library Association issues comprehensive guides to all the Newbery and Caldecott Award and Honor books and updates them every few years.  There’s also a wide range of supplemental books that cover the honorees speeches, uses of the Award books in the classroom, and biographies of the Caldecott and Newbery authors and illustrators. Many collectors also look for copies of the programs distributed at the Award banquets and (earlier) cassette tapes and (nowadays) CD’s of the Award speeches.

 

And it continues. Every year there will be new Award and Honor books to add to a growing collection. Which brings us to this year’s winners and our sincere congratulations to Caldecott-winner Brian Floca for Locomotive (Simon and Schuster) and Newbery-winner Kate DiCamillo for Flora & Ulysses (Candlewick Press).